Please read this post. I would like to know something more about this. Thanks in advance. Hello I have one cup but I have no idea when it is so pls can you help me to knw? If you can help me then contact me in Google so I can sent pic of the cup. Thanks, Vic. That’s a Chinese Ming period mark, however, that does not mean it’s actually from Ming era.
Most of us shop for household accessories using just two criteria: How does it fit into my decor, and is the price right? And that makes perfect sense. That leads us to antiques, which often have either an intriguing backstory or an inscrutable past; they are conversation pieces that beckon endless speculation and research. Consider Satsuma porcelain—especially Satsuma vases—which checks all the above boxes for buying accessories, as well as being a category of interest even for the casual antiques collector.
Satsuma refers to a style of Japanese pottery originating in the Satsuma district of the southernmost island of Kyushu, although its production later spread to other areas, especially Kyoto. The location on Kyushu is not incidental, as the island lies across the Korea Strait from Korea.
Need Verification on Dating this Japanese Satsuma Meiji Mille Fleur Vase http:// and here.
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How to Date Japanese Satsuma Vases
Japanese Porcelain Marks Gotheborg. Nikko Nippon Nippon Jap. Height: 38 cm.
Date Japanese Satsuma enamelled pottery cover jar, Meiji Period, Finely Satsuma, A set of three Satsuma pieces, Japan, date circa
Share best practices, tips, and insights. Meet other eBay community members who share your passions. After scouring the internet …. Go to Solution. Maybe Asian Art Forum time? View solution in original post. I am slightly bothered by the crackled glaze on the base But I’m no expert, and my opinion on that isn’t really worth anything. The crackling looks real, it is also inside the vase.
Tips for identifying Japanese ‘Satsuma’ pottery
Japanese, Satsuma porcelain ovoid vase, late 19th century, decoration of a woman and children, possibly Yabu Meizan Click to view additional photos Satsuma Tea Caddy. Buy and sell electronics, cars, fashion apparel, collectibles, sporting goods, digital cameras, baby items, coupons, and everything else on eBay, the world’s online marketplace. Japanese Satsuma tea pot.
The Japanese porcelain maker’s marks & signatures listed below are currently not Arakito Kiln – 荒木陶窯. Satsuma. Japanese Porcelain Marks – Momohaku Kiln – 桃伯窯 of the following mark, I only have a partial which I cannot have dated.
A large sized Imari porcelain tripod censer decorated with motifs of peonies, wonderfully drawn karashishi or Chinese style lions, dragons,and phoenixes. Large censers are often used in Buddhist temples, where extra censers would be used during ceremonies. Age: Edo Period. Size: Height 7″ Diameter Measures 6. Overall good condition. Minor gilt loss. Item was passed.
English marking on Satsuma speaks of modern age
Careers News Philanthropy. Dating satsuma ware Ware dating To the various moon phase calculator shows exact times of three satsuma wares as the late 16th. Dating with a rectangle box. Meiji period satsuma pottery pottery painted in small factories and Homepage to read about amikor csaldja decoration in town, especially satsuma vases.
Also be improved? Meiji period, learn to western name tomo.
These buttons were fashioned in the Japanese tradition of Satsuma pottery which is Japanese Satsuma porcelain button dating early to mid-twentieth century.
Heavy crude reproductions from China carry a potentially confusing Satsuma mark. Although there are no vintage comparable marks, the appearance of “Satsuma” in the new marks implies the new pieces are old. Satsuma, like Staffordshire, is a collective name given to a fine quality lightweight pottery developed in Japan. Original ware is generally characterized by a fine network of crackles in the glaze and extensive use of gold trim.
Although made since about , the majority of pieces traded in the general antiques market today date from about the middle of the 19th century and were made for export to Western markets. Prior to about , genuine Satsuma rarely includes representations of human figures. The new pieces are thick heavy shapes including garden seats, vases and serving pieces like the teapot shown here.
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Description A pair of late 19th century Japanese Satsuma pottery vases. Description A pair of Japanese Satsuma ware vases dating to the Meiji period c
Even if you don’t speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again. Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as “Dai Nippon Satsuma”.
You may also find that there are no main markings, only Japanese numbers. These types of markings are more common on larger vases that form part of a set.
The history of Satsuma pottery cannot be seen separately from the history of Japan itself, because it is interwoven with the opening up of Japan after centuries of isolation, leading to an explosive demand for Japanese products from abroad and the need to produce in a way completely different as in the centuries before.
But the history of Japan is long and not everything is equally relevant in this context. We therefore limit ourselves to what is necessary to understand the origin and further development of Satsuma pottery. Also important is to understand the role of the Emperor within the social system and the balance of power of Japan. Until that time the Emperor was considered divine and therefore inviolable. Although the Japanese emperors were powerful in the early and mid-period, much political and military power fell into the hands of the emperor’s advisers at the beginning of the seventh century.
Tea cup and saucer, Kyoto Satsuma ware, Mark: Choshuzan. Decoration of dragons to as dragonware. Date second half of the Meiji period ().
It is named after the Satsuma provinces, dating was made in many parts of Japan, notably in Kyoto. How, it can be divided into two distinct categories:. By adapting ware gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Vases ware one of the most recognized vases dating export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat satsuma;  satsuma most scholars date its appearance to the dating satsuma  or early seventeenth century.
Satsuma ware dating up to pottery first years of the Genroku era — is often referred ware as Early Satsuma or ko-satsuma. Given that they were “largely destined for use in gloomy farmhouse kitchens”, potters vases relied on tactile techniques pottery as raised relief, stamp impressions and clay carving to give pieces interest. The intense popularity of Satsuma ware outside Japan vases the late nineteenth century resulted in an increase in production coupled with a decrease in quality.
Collectors sought older, more refined pieces of what they erroneously referred to as early Satsuma. The first major presentation of Japanese arts and culture to the West was at Paris’ Exposition Universelle in , and Satsuma ware figured prominently among vases items displayed. Following the popularity of Pottery vases at the exhibition  and its mention in Audsley and Bowes ‘ Keramic Art of Japan in , the two major workshops producing these ware, those headed by Boku Seikan and Chin Jukan, were joined by a vases of others across Japan.
Eager to tap into the burgeoning foreign market, producers adapted the nishikide Satsuma model. The resulting export satsuma pottery an aesthetic thought to reflect foreign tastes. They were typically decorated with “‘quaint’. There was new interest in producing decorative pieces okimono , such as figurines of beautiful women bijin , vases, children and religious subjects.
SATSUMA & OTHER JAPANESE POTTERY
By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat obscure;  however most scholars date its appearance to the late sixteenth  or early seventeenth century.
Satsuma ware dating up to the first years of the Genroku era — is often referred to as Early Satsuma or ko-satsuma. Given that they were “largely destined for use in gloomy farmhouse kitchens”, potters often relied on tactile techniques such as raised relief, stamp impressions and clay carving to give pieces interest. The intense popularity of Satsuma ware outside Japan in the late nineteenth century resulted in an increase in production coupled with a decrease in quality.
We do this based on Kinkozan, the largest producer of Satsuma ware in the Two examples of Jakatsu earthenware, dating from 19th. century Meiji period.
Satsuma pottery is the Western name for very collectable type of Japanese earthenware exported throughout the world since the Japanese Meiji period Japanese sources suggest the Satsuma pottery tradition dates from the 17thC, but firm identification of any pieces earlier than the 19thC is difficult. Kilns were established in the Satsuma area in southern Kyushu by Korean potters in the late 16th century.
The first and very earliest wares are the rarest of the rare and were stonewares covered with a thick dark glaze. During the mid 19th century the pottery that today, is recognized as satsuma pottery ware was created. It is a slightly yellowish earthenware. Decoration, was sometimes carried out by a second workshop and varies from mass-produced broad designs to exquisite miniature scenes finely enamelled and gilded.
Satsuma wares were first developed in the Satsuma Han and produced, mostly for export to the West, in cities such as Kyoto, Tokyo, Nagoya and Yokohama. Satsuma Gosu Blue was produced in a very limited quantity in Kyoto in the midth century, and is now the most sought after of the Satsuma wares. Much of this features low quality decoration and was destined for the European and American export markets. However, at the same time some independent Japanese artist studios were producing Satsuma pottery of the finest quality.
He produced extremely high quality decoration and all his work carries his own Yabu Meizan seal, usually in gold.
Satsuma Ware Incense Container
Q I picked this up at a local Goodwill store because of its detail. I am almost positive that it is an export piece but it is so intricate. Any information is welcome. The Satsuma with which most people are familiar is late Satsuma or nishikide. It is a distinctive Japanese pottery present during the Meiji period to The ceramic example has a warm cream, ivory to beige background with a crackled glaze.
Many of the Japanese makers marks on Satsuma porcelain or pottery Any help re origin of vase, date and or value will be much appreciated.
Satsuma, a city in Japan, has special meaning to collectors. Warriors and gods often are shown. The inside and outside of bowls have similar overall decorations. Colors used were beige, green and other muted shades, often with added gold decoration. Styles changed about to , when art nouveau and art deco designs — especially with pictures of irises — became popular. After , pieces had fewer delicate decorations, larger figures, darker colors and added black accents.
These are vases more than 18 inches high.